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December issue

Democracy on the ballot

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What will Elton John learn from Tammy Faye’s flop on Broadway?

Broadway

Theater
What will Elton John learn from Tammy Faye’s flop on Broadway?
By Alexander Larman
Theater
A new adaptation of The Great Gatsby is enrapturing and impressive
By Clarissa Sebag-Montefiore
Campaign 2024
Hillary Clinton offers unsolicited debate advice
By Cockburn
Theater
The new revival of The Wiz is psychologically bland
By Clarissa Sebag-Montefiore
Theater
An Enemy of the People is hit-or-miss
By Clarissa Sebag-Montefiore
Cockburn’s Gossip
Hillary Clinton, drama queen
By Cockburn
Campaign 2024
The Lincoln Project’s cringe attempt to attack Trump through musical theater
By Daniel Rey
Theater
Finally, a version of Merrily We Roll Along that works
By Clarissa Sebag-Montefiore
Theater
One-on-one with Broadway powerhouse Betsy Aidem
By Clarissa Sebag-Montefiore
Theater
Spring’s hottest theatrical openings on Broadway
By Clarissa Sebag-Montefiore
Theater
The legacy of Mean Girls and the decline of pop culture
By Mitchell Jackson
Theater
Stereophonic is a love letter to creation
By Zack Christenson
Theater
The birth, death and rebirth of American Psycho: The Musical
By Ross Anderson
Theater
Here Lies Love is too scared to be serious
By Clarissa Sebag-Montefiore
Theater
The Sign in Sidney Brunstein’s Window is never comfortable
By Clarissa Sebag-Montefiore
Theater
Aaron Sorkin’s new Camelot has nothing to say
By Clarissa Sebag-Montefiore
Theater
Bringing back Stephen Sondheim and enduring a new Andrew Lloyd Webber
By Robert S. Erickson
Theater
Broadway brings back Bob Fosse’s Dancin’
By Robert S. Erickson

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