Clarissa Sebag-Montefiore

This isn’t a feel-good drama about a bunch of plucky individuals who worked together to knock down the patriarchy, but a knotty play in which ideals battle real-life compromises

Masquerade honors and innovates the legacy of Phantom of the Opera

Director Jonathan Bank is unable to do the play justice

Olivia Levine’s one-woman show takes the mental illness as a subject

Every detail, every sound, every object feels intentional