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November issue

The 2024 Hobson’s choice

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Karl Ove Knausgaard’s latest novel is as unsettling as his previous ones

Novel

Book Review
Karl Ove Knausgaard’s latest novel is as unsettling as his previous ones
By Leyla Sanai
Book Review
The rich inner lives of Elizabeth Strout’s characters
By Olivia Cole
Uncategorized
Michel Houellebecq’s new novel is worthy of Balzac
By David Sexton
Book Review
Intermezzo is a wish-fulfillment romance
By Claire Lowdon
Book Review
Question 7 is the archetypal Richard Flanagan
By A.S.H. Smyth
Book Review
Charles Baxter’s Blood Test is a necessary novel
By Sam Forster
Book Review
The chameleonic life of Claire Clairmont
By Suzi Feay
Book Review
Elif Shafak’s latest novel is gloriously expansive and intellectually rich
By Michael Arditti
Book Review
Kevin Barry’s latest novel is bursting with energy, brutality and poetry
By Anne Margaret Daniel
Book Review
Kaliane Bradley time travels in The Ministry of Time
By Suzi Feay
Book Review
Sunjeev Sahota’s timely morality tale
By Michael Arditti
Book Review
Scarlett Thomas’s pungent slice of ripe Mediterranean Gothic
By Boyd Tonkin
Book Review
Gabriel García Márquez’s legacy was damaged by his sons
By Philip Hensher
Book Review
Barbara Comyns’s haunting fiction was all too autobiographical
By Lee Randall
Book Review
Lucas Rijneveld’s My Heavenly Favorite vividly depicts self-delusion
By Leyla Sanai
Book Review
Emily Howes on sisterly duty
By Mark Bostridge
Book Review
Leaving captures all the sadness, poignancy and resignation of loss
By Caroline Moorehead
Book Review
Kelly Link upholds and upturns conventions
By Philip Womack

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